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Japan
Review: Hirokazu Kore-eda’s “Look Back” is a Loving Ode to Friendship and Art
By
Kieran Davey
South Korea
Review: Lee Chang-dong’s “Possible Love” Is a Novelistic Exploration of Capitalism and Relationships
By
Kieran Davey
Japan
Review: “All of a Sudden” Continues Hamaguchi’s Streak of Deeply Felt, Empathetic Dramas
By
Kieran Davey
China
Review: “Once Upon a Time in the Middle East” Compellingly Reimagines the Iraq War From a Chinese Perspective
By
Anthony Kao
China
Review: Teochew Hit “Dear You” Is Great Melodrama, But Doesn’t Fix China’s Soft Power Deficits
By
Anthony Kao
Taiwan
Review: “Afterword” Bridges Taipei and New York in a Metatextual Examination of Fiction
By
Brian Hioe
Hong Kong
Interview: Director Brian Hung Illuminates Hong Kong’s Ethnic Minorities in “Let’s Have a Cup of Doodh Patti Chai”
By
Jianne Soriano
Japan
Review: “Akashi” Documents a Japanese Canadian Artist’s Re-Exploration of Family, Relationships, and Homeland
By
Brian Hioe
South Korea
Review: Korean Historical Film “Hallan” Confronts the Buried Horror of the Jeju 4.3 Uprising
By
Jianne Soriano
Taiwan
Review: Macau-Set “I Blew Out The Candles Before Making A Wish” Serves Cinematic Splendor and Character Charm, But No Social Critiques
By
Brian Hioe
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