Cinema Escapist

Explore and connect the world through a cinematic lens

Menu
About Contact Write for Us
  • Africa
  • Asia
    East Asia Southeast Asia South Asia
  • Europe
  • Latin America
  • Middle East
About
Contact
Write for Us

East Asia

Japan

Review: “Akashi” Documents a Japanese Canadian Artist’s Re-Exploration of Family, Relationships, and Homeland

By Brian Hioe

South Korea

Review: Korean Historical Film “Hallan” Confronts the Buried Horror of the Jeju 4.3 Uprising

By Jianne Soriano

Taiwan

Review: Macau-Set “I Blew Out The Candles Before Making A Wish” Serves Cinematic Splendor and Character Charm, But No Social Critiques

By Brian Hioe

Taiwan

Review: “Last Night in Taipei” Aimlessly Meanders through its Chance Encounter Premise

By Brian Hioe

South Korea

Review: With “Colony”, Yeon Sang-ho Continues Coasting Off “Train to Busan’s” Momentum

By Anthony Kao

Japan

Review: Hirokazu Kore-eda’s “Sheep in the Box” Is a Muddled Take on Technology, Family, and Grief

By Jianne Soriano

China

Review: Chinese Action Flick “Operation Hadal” Drowns in Its Own Ambition and Absurdity

By Anthony Kao

South Korea

Review: K-Movie “The King’s Warden” Blends Comedy and Drama for a Refreshing Take on a Tragic Story

By Jianne Soriano

South Korea

Interview: Director Yoo Jae-in Discusses “En Route To”, Her Heartfelt Feature Debut

By Jianne Soriano

Taiwan

Review: Taiwan’s “Blind Love” Paints Atmospheric Picture of a Queer Love Triangle

By Brian Hioe

Follow CE

Sections

Africa

East Asia

Southeast Asia

South Asia

Europe

Latin America

Middle East

More

About

Contact

Write for us

© 2014-2026 Cinema Escapist, a 501(c)3 non-profit organization. All rights reserved.