Cinema Escapist
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Europe
Latvia
Review: “Minotaur” Is a Clinical Examination of an Unfaithful Marriage in Wartime Russia
By
Kieran Davey
Japan
Review: “All of a Sudden” Continues Hamaguchi’s Streak of Deeply Felt, Empathetic Dramas
By
Kieran Davey
Germany
Review: “Fatherland” Is Stunning, Somber, and Seriously Sleepy
By
Kieran Davey
Romania
Review: “Fjord” Is a Provocative, Probing Examination of Cultural Assimilation and Clashing Values
By
Kieran Davey
Belgium
Review: “News From Home” Is A Slow Cinema Snapshot of 1970’s New York
By
Kieran Davey
France
Review: Linklater’s “Nouvelle Vague” Recreates the Past, But Lacks Its Spirit
By
Kieran Davey
France
Review: Beautifully Animated “Little Amélie or the Character of Rain” Explores Childhood and Cultural Identity
By
Kieran Davey
Ivory Coast
Review: “Black Tea” Uses Taiwanese Funds to Promote China’s Belt and Road
By
Anthony Kao
Ukraine
“20 Days in Mariupol” and “Invisible Nation” Vie for America’s Attention on Ukraine and Taiwan
By
Anthony Kao
Cambodia
Review: Davy Chou’s “Return to Seoul” Is a Soulful Exploration of Transnational Identity and Culture Clash
By
Jianne Soriano
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